The New York Times asked fashion photographer Mario Testino what camera he uses for personal shots when he travels.
NYT: What advice do you have for travelers who want to make sure they get the best pictures from their trip? Are good shots about having the right camera?
Mario Testino: You don’t need a fancy camera to be able to capture anything. The one on your phone is good enough; that’s what I use when I’m not working. Getting the right pictures is about opening your eyes to see what’s magical about a place. I just photographed the city from a window on this floor and saw all these buildings lit in a beautiful way, which is so New York. But the magic is different depending on where you are. It could be the people, the landscape, the animals or even the candle in the room. You just have to be curious, and you’ll find it.
Alice Rawsthorn talks about the “art of repair” in her review of the Tokyo exhibit Fab Mind.
As odd as it is to see an exquisite 17th-century Japanese bowl in a contemporary design exhibition, it seems odder still to discover that it is there not because of the finesse with which it was originally made, but the skill with which it was repaired during the late 1800s.
Tsukuroi, or the art of repair, is so revered in Japan that it is believed to create a new form of beauty, as the bowl demonstrates. In “The Fab Mind: Hints of the Future in a Shifting World,” an exhibition here, the bowl acts as a prelude to a display of work by the Fixperts. This international network of contemporary designers and makers experiments with recently developed digital tools and ancient craft techniques to customize new objects and repair damaged ones, just as the artisan who fixed the broken bowl did so deftly over a century ago.