Alec Soth gets Tod Papageorge’s thoughts on “literary photography.”
AS: You’ve said that you see photography as ‘at least as close to writing as the other visual arts.’ Are you talking about a specific kind of writing (poetry, journalism, fiction)?
TP: Poetry, because it and photography can both be similarly condensed.
AS: Which photographic books stand out for you as an example of literary photography?
TP: There are only a few, but, of course, they are also the usual suspects: “American Photographs,” “The Americans,” and, combining pictures and text, John’s “Idea of Louis Sullivan and Strand’s “Time in New England,” a great book.
As you’ve indicated here in this blog, I’ve tried to do something that I think is new in “Passing Through Eden,” and that is to follow an established narrative through the long opening of the book, and then trace out the residual ‘literary’ energies of that narrative through the rest of it.